The Megalithic Village of Orahili Fau

The second historic village we visited on our trip to South Nias was Orahili Fau. While it is not quite as impressive as Hilisamaetano, let alone Bawamataluo, this is still a first-rate traditional village with a large cobbled square, rows of traditional houses and numerous interesting megaliths and carvings. If this village was in mainland South-East Asia, it would probably be a major tourist attraction. However, on the remote island of Nias, it rarely sees a visitor.

The houses of Orahili Fau are arranged lengthwise along the main square

The village of Orahili Fau is located on a flat-topped hill at an elevation of around 150 metres above sea level. This means it is considerably lower than its nearby cousin of Bawamataluo. The locals clearly close it for its defensive position. It is surrounded on all sides by steep slopes and ravines and originally it had only a single gate on the western side. In addition to its defensibility, the site is also blessed with a wealth of water sources. There are seven springs or wells in the vicinity of the village and a small river called Sungai Batu Buaya (Crocodile Rock River!) is located only a kilometre away.

An ornament on one of the houses

As you might expect, this village has a fascinating history. One of the oldest villages in South Nias, it is the ‘ancestor’ village of Bawamataluo, the most famous village on the island. According to oral tradition, Bawamataluo was founded by people from Orahili Fau who broke off to form a new village on higher ground. The two villages are so closely interconnected by familial links and intermarriage that their histories cannot be untangled. According to oral tradition, Orahili Fau is actually the older village, and at some point a group of its residents broke off to found the new settlement of Bawamataluo. In 1864 the Dutch attacked the village of Orahili Fau and burnt most of its buildings to the ground. However, its citizens regrouped and rebuilt their village on the same site. This means that most of the timber buildings we see today do not predate the 1860s. (However, we may assume that many of the stone megaliths we see are of a much greater age.) One of the finest of the current timber houses is a large structure which is raised on massive wooden supports. Out front there is an unusual guardian figure which is part deer and part snake. It is colourfully painted and sports large, tusk-like fangs (see picture).

A lichen-splotched megalith with a traditional weapon motif

Yet there is more to Orahili Fau than just old houses. The village is also notable for its wide range of megaliths. There are six different types of stone megaliths in the village, include stone tables and chairs, megaliths shaped like the gendang (a percussion instrument) and an excellent example of the batu lompat, a jumping stone. In the picture at the top of this article you can see a row of stone slabs in front of the houses. Many of them have interesting motifs, ranging from the peaceful (fern fronds) to the decidedly war-like (shields, swords and spears). While the locals preserve these ancient artefacts, they aren’t exactly treated with reverence. It is common to see laundry drying on top of them.

The ‘batu lompat’ of Orahili Fau

The megalith which will be most interesting to visitors is probably the batu lompat. In the Nias language it is known as the fahombo or batu hombo. These megaliths, which are built from a numerous of irregular stones and topped with a capstone, are one of Nias’s most famous cultural artefacts. The example at Orahili Fau is one of the taller examples, reaching a height of approximately two metres. In pre-colonial times, Niassan men had to jump over this monument not only to prove their athletic prowess but also that they were ready to become a soldier and a husband. From around the age of ten, Niassan started their training to jump the batu hombo. This showed how much traditional Niassan society was imbued with a military mentality. Before the Dutch invasion, everything focused around readiness for war.